Jeni's Cinematic Ankle

I spotted Jeni's ankle back in April in a store on 24th Street between 6th and 7th Avenues.

One of five tattoos, I thought this one was pretty cool:

Jeni had been working in film part-time but she had finally decided that movies were what she would devote her life to. That is why the camera points forward.

Jeni, a documentarian, who has worked as a unit production manager and on continuity, sees this tattoo as a symbol of her decision to make movie making her life.

The tattoo was done at an unremembered shop name in Denver.

Thanks to Jeni for sharing her tatto with us here on Tattoosday!

An Update from Victor

I don't often run into Tattoosday subjects more than once, but when one works in the same neighborhood, it's often tough NOT to run into them.

Case in point is my friend Victor, who I first met here in an example of what I call a tat-alog, when multiple tattoos are photographed and discussed.

We did a second post on some new cinematic signature ink he had obtained here, and that had been it for a while.

Then, last month, I spotted him again in Penn Plaza, and thought that this tattoo was new:

There's been a lot of hoopla this week as Jimmy Fallon did a whole Rolling Stones tribute over five days in honor of the reissue of Exile on Main Street.

I'll let Victor explain the history of this particular tattoo:

...[This was] done by my cousin Eddie Bonacore in his apartment...then he did it for me again when he got officially hired as a tattoo artist @ Funhouse Tattooing in the Poconos.  I love the Stones, and credit my mom for that one...she got me into them.  The Stones ooze rock n' roll and always will...even watching Shine a Light, the documentary [Martin] Scorsese recently did on them...it just further shows there commitment to rock n' roll...the least I could do was add some tongue to my wrist!

Thanks again to Victor for keeping us entertained with his rockin' tattoos here on Tattoosday!

Tattoosday Goes to Hawai'i: Reston's Expansive Ink

I've alluded, in previous posts, to a trip to Ala Moana Center, during which I was astounded by the amount of tattoos I saw, much more than I recall seeing on my previous trip, five years ago.

I was in the expansive food court section of the complex when I met Reston and his uncle. I was first intrigued by the work on his left arm:

but then, in one of those rare Tattoosday moments in which I see much more than I anticipated, his uncle convinced Reston to show me his back, which revealed this wonderful work:

For Reston, his tattoos are tributes to his heritage. The large Buddha on his back acknowledges the Buddhist faith that can be found on his father's side of the family. The tiki and tribal patterns are in honor of his mother's Pacific Islander lineage. This is apparent from the merging of the two styles (and the names "mom" and "dad" at the top of his back:

In addition, Reston shared this cool lizard on his left shoulder:

Actually, in Hawaiian tattoo styles, this is referred to more specifically as a mo'o, which can be defined (source here) as a "spirit guardian (lizard) that protects a resource, such as a fishpond, from overuse and other abuse". Mo'o are also referred to as geckos.

There's a lot going on with Reston's personal canvas, but you can see the geographic shapes of the mo'o design jumping off the skin.

  All the work was done in California. The Buddha back piece was inked by Jon Highland, owner of 12 Monkeys Tattoo in Tracy, California. The majority of the tribal/Polynesian work was tattooed by Orly at Humble Beginnings Tattoo Studio in San Jose.

A hearty mahalo to Reston for being bold enough to remove his shirt in the Ala Moana food court so we could all get to better appreciate his ink. We here at Tattoosday thank you for your contributions to the site!

Nadine's Ankh and Orchids

I met Nadine last month and she was kind enough to share this beautiful floral piece with us:

The symbol in the foreground is her own "stylized version" of an ankh, a symbol dating back to ancient Egypt which means eternal life.

She has orchids added to the piece because her mother loves those flowers.The orchids were inked about five years ago which is remarkable because reds and yellows tend to fade more quickly on the skin and, Nadine notes, "so far my color has held true".

The ankh took about 45 minutes to do while the rest of the tattoo took five and a half hours over two sittings.

She wanted to point out that the outline is done in purple ink, not black, a nice artistic touch that she convinced her artist was a good choice.

This lovely tattoo was done at New York Adorned, by Brian Randolph.

Work from NY Adorned has been posted previously here (links to all posts tagged NY Adorned).

Thanks again to Nadine for sharing this fantastic tattoo with us here on Tattoosday!

Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!